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Chinese Arts

The Visual Arts

    Chinese art, like Chinese literature, goes back many centuries. Early themes were developed from religious and supernatural beliefs or from the natural environment and landscape. One of the oldest and most basic forms of Chinese art is calligraphy, the painting of the Chinese characters with a brush. Calligraphy has developed as a pure art form with its own standards of excellence. Building on the tradition of calligraphy, Chinese painting developed a distinctive style that differs greatly from Western painting. It is more efficient in terms of brushstrokes and appears more abstract. Landscapes have always been a popular theme, and sometimes these appear bizarre to the Western eye. To the Chinese painter, they may represent a figurative view painted with a few swift strokes of the artist's brush.

    With their stress on simplicity and economy, Chinese calligraphy, painting, and poetry are closely related. In all of them, the artist seeks to express both inner harmony and harmony with the natural surroundings. Chinese poets and painters often have sought inspiration by withdrawing to isolated, mountainous areas, and these landscapes have become conventional themes of Chinese art. Similarly, Chinese architecture has traditionally aimed to convey harmony with society and nature.

    The magnificent life-size terra-cotta statues of men and horses, discovered in the early 1970s in the tomb of an emperor who died in 210 B.C., provide some indication of the long history of Chinese sculpture. After the introduction of Buddhism into China, Buddhist subjects became dominant themes of the sculptor's art. Perhaps best known (and most copied) in the West, however, are the works of Chinese decorative artists, such as pottery, bronzes, lacquer ware, and exquisitely detailed jade and ivory carvings.

Chinese Sculpture

    Reports of the splendor of Asian art were brought to Europe by Marco Polo. By the 18th century Europeans not only possessed original ceramics, enamels, and furniture from the East but were adapting Asian designs and skills in their own products. Chinese Chippendale furniture and chinaware are examples. The art of Japan was brought into prominence in the mid-19th century in Paris by the Goncourt brothers, and it was Auguste Rodin who first gave public recognition to the sculpture of India. In the latter part of the 19th century, when artists were seeking inspiration for a newer, fresher art, these sources, together with those of Africa and Muslim countries, provided them with rich material.

    The Chinese were master craftsmen and produced fine sculpture, especially in bronze. Although bronze casting existed a thousand years earlier, it was in the Chou period (1122-221 B.C.) that China developed the art to its peak.

    This is evident in the great ceremonial vessels used by the nobility for ancestor worship. From tombs of the Han Empire (202 B.C.- A.D.220) have come a rich variety of clay figures of people, animals, and household utensils designed to make life comfortable in the next world. Other objects are wrought in bronze, inlaid with silver and gold, and elaborately ornamented with abstract and fanciful designs. Carvings in jade and bas-reliefs on tomb walls also reached a high degree of excellence.

    One of the most magnificent archaeological finds of the century was the tomb of Shi Huangdi at Xi'an, China. In March 1974 an underground chamber was found containing an army of more than 6,000 life-size terra-cotta soldiers of the late 3rd century B.C. Other nearby chambers contained more than 1,400 ceramic figures of cavalrymen and chariots, all arranged in battle formation.

    The prosperous T'ang Dynasty (618-907) developed Buddhist art to its highest level. Stone was a favorite medium for religious sculpture, and iron replaced bronze in the casting of figures. The glazed terra-cotta figures of this period are especially fine.

    With the decline of Buddhism in the Sung period (960-1279), Chinese sculpture lost its vigor. Nevertheless, interesting works continued to be produced, such as the Bodhisattvas. In Japan Buddhism and its art followed the Chinese pattern.

    This article was contributed by Jack Bookbinder, former Director of Art Education, Philadelphia Public Schools and by Christopher Lyon, Editor, Department of Public Information, The Museum of Modern Art, New York.

Buddhist Art

    Visual art has been a useful instrument in bringing Buddhism to many people. Throughout Asia, drawings, paintings, and sculptures of the Buddha have been used for teaching and veneration.

    Buddhist art is not just decoration. Images of the Buddha show people what it looks like to have achieved Nirvana, total bliss. He is shown as calm and loving, usually with a soft smile and radiant energy. Some scenes show the Buddha at key moments of his life, for example, sitting under the Bo tree. Others illustrate his teachings. There is a story that tells of the Buddha offering his body as food for a hungry mother tiger and her cubs because he felt that all life was sacred. This scene is a popular visual theme in the cave temples of China and Japan.

    Other Buddhist paintings illustrate the sacred writings, as stained glass windows were created to illustrate the Bible in many Christian churches. Since Buddhists believe that anyone can be on the path toward Enlightenment, these visual images of the Buddha along his own path are a helpful addition to the writings that people study. They make the texts more personal and inviting.

    Buddhist imagery has played a significant role in the development of sacred art and temple architecture throughout Asia. It is through the artistic images and temple remains that scholars have been able to trace the growth and spread of Buddhism. Artistic styles, for example, were carried from one culture to another as Buddhism spread throughout Asia. Many of the Buddhist images of China and Japan had their origin in India many centuries before.

    Buddhist sacred writings influenced the literature of the countries that accepted Buddhism as a religion. The oldest texts of Buddhism are the Pali Canon, the writings that are held most authentic by the older and more conservative school, the Theravada. These texts concentrate on the Theravada goal of the individual becoming a Buddha. The Mahayana school has for many centuries built on this base, but their writings are more keyed to their own philosophy of serving others.

    Like religion itself and the visual imagery, Buddhist sacred literature began in India and was spread in translation through Asia. Each country made the literature its own and was, in turn, influenced in other areas of cultural development by the teachings of the Buddha.
 

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